(Photo: Joan Marcus) When the Pulitzer committee considered Howard Korder's Boys' Life twenty years ago, there weren't quite so many similar takes on the stuck in adolescence American male. Given the right cast and smart direction, Korder's often wickedly funny. The New York Production of Boys' Life-which won rave reviews and a Pulitzer prize nomination-established Howard Korder as one of the most exciting new talents in American theater. An acerbically funny portrait of 1980s male behavior, it tracks three young.
Boys Life Howard Korder Pdf
By F. KATHLEEN FOLEY
FEB 04, 2015
First produced in the late 1980s, Howard Korder's 'Boys' Life' garnered a Pulitzer nomination for its portrait of three disaffected young urban men on the prowl for women.
Jack Stehlin, director of the play's current production at the Asylum Theatre, originated the role of Jack -- the most brutally cynical of the trio -- in an earlier one-act that Korder later incorporated into his full-length play.
Stehlin's enduring affinity for the material is evident in his crisply paced and thoughtful staging.
Unfortunately, Korder couldn't have anticipated the rampant rise of the 'bro' culture, or the flagrant female objectification across all formats, from stage to screen to kiddie beauty pageants. In short, what may have been sociologically incisive some 30 years ago seems a bit toothless today.
Still, Stehlin redresses many of the play's shortcomings in this production, which may lack a certain bite, but which still nibbles the funny bone -- and takes an occasional nip at the heartstrings as well.
The women in the show -- all excellent here -- have been double cast. The men remain the same throughout the run. Brendan Brandt's lonely, whiny Phil is comically clueless, as is Noah James' Don, who yearns for emotional connection but just can't summon the words. Jeff Kongs plays Jack, the king womanizer -- and, ironically, the sole married man among these post-collegiate sad sacks, whose raw need -- and scathing contempt -- for women is both telling and terrifying.
Not to damn with faint praise, but Stehlin has orchestrated the play's frequent scene shifts with the logistical finesse of a field marshal. That may seem a negligible point, but it's really indicative of Stehlin's directorial craft, which is evident on every level of this diverting but slight 'Life.'
'Boys' Life,' the New American Theatre at the Asylum Theatre, 1078 N. Lillian Way, Hollywood. 8 p.m. Fridays and Saturdays. Ends March 7. $18. www.NewAmericanTheatre.com Running time: 1 hour, 30 minutes.
(Photo: Joan Marcus) When the Pulitzer committee considered Howard Korder's Boys' Life twenty years ago, there weren't quite so many similar takes on the stuck in adolescence American male. Given the right cast and smart direction, Korder's often wickedly funny. The New York Production of Boys' Life-which won rave reviews and a Pulitzer prize nomination-established Howard Korder as one of the most exciting new talents in American theater. An acerbically funny portrait of 1980s male behavior, it tracks three young.
Boys Life Howard Korder Pdf
By F. KATHLEEN FOLEY
FEB 04, 2015
First produced in the late 1980s, Howard Korder's 'Boys' Life' garnered a Pulitzer nomination for its portrait of three disaffected young urban men on the prowl for women.
Jack Stehlin, director of the play's current production at the Asylum Theatre, originated the role of Jack -- the most brutally cynical of the trio -- in an earlier one-act that Korder later incorporated into his full-length play.
Stehlin's enduring affinity for the material is evident in his crisply paced and thoughtful staging.
Unfortunately, Korder couldn't have anticipated the rampant rise of the 'bro' culture, or the flagrant female objectification across all formats, from stage to screen to kiddie beauty pageants. In short, what may have been sociologically incisive some 30 years ago seems a bit toothless today.
Still, Stehlin redresses many of the play's shortcomings in this production, which may lack a certain bite, but which still nibbles the funny bone -- and takes an occasional nip at the heartstrings as well.
The women in the show -- all excellent here -- have been double cast. The men remain the same throughout the run. Brendan Brandt's lonely, whiny Phil is comically clueless, as is Noah James' Don, who yearns for emotional connection but just can't summon the words. Jeff Kongs plays Jack, the king womanizer -- and, ironically, the sole married man among these post-collegiate sad sacks, whose raw need -- and scathing contempt -- for women is both telling and terrifying.
Not to damn with faint praise, but Stehlin has orchestrated the play's frequent scene shifts with the logistical finesse of a field marshal. That may seem a negligible point, but it's really indicative of Stehlin's directorial craft, which is evident on every level of this diverting but slight 'Life.'
'Boys' Life,' the New American Theatre at the Asylum Theatre, 1078 N. Lillian Way, Hollywood. 8 p.m. Fridays and Saturdays. Ends March 7. $18. www.NewAmericanTheatre.com Running time: 1 hour, 30 minutes.
Boys Life Howard Korder Cast
Boys' Life - Howard Korder. April 2016, Hollywood, Young Actors Ensemble. Grass valley k.k sound cards & media devices driver download. Boy's Life By Howard Korder Directed By Tommy Statler. Download harris port devices driver. Told in a series of fast-paced, sharply etched scenes, the play traces the misadventures of three former college buddies now seeking to make their way in the big city—and with various women of their acquaintance. Boy's Life By Howard Korder Directed By Tommy Statler. Told in a series of fast-paced, sharply etched scenes, the play traces the misadventures of three former college buddies now seeking to make their way in the big city—and with various women of their acquaintance. Boys' Life is a full-length comedy by Howard Korder. The play, written as a series of short, sketch-like scenes, tells the story of three buddies from college entering the 'real' world of adulthood where the stakes are higher and the potential mistakes much more serious than when they were kids.
